SUBPLOTLY VIDEO — GRAND ST
--:--:--
ALL SHELVES·
Repulsion (1965) poster

Repulsion

dir. Roman Polanski · 1965

Feature
Psychological Horror
Mood
Dark / Tense
Look
stark, shadowy interiors with a focus on unsettling close-ups
Structure
fragmented and subjective, mirroring the protagonist's mental state
Plot

In London, Belgian immigrant Carol Ledoux shares an apartment with her older sister Helen, and works as a manicurist at a beauty salon. Helen uses the word "sensitive" to describe Carol's overall demeanor, which is almost like she walks around in a daze, rarely speaking up about anything. When she does speak up, it generally is about something against one of those few issues on which she obsesses, such as Helen's boyfriend Michael's invasion of her space at the apartment. That specific issue may be more about men in general than just Michael's actions, as witnessed by Carol being agitated by hearing Helen and Michael's lovemaking, and she not being able to rebuff the advances effectively of a male suitor, Colin, who is infatuated with her. One of those other obsessive issues is noticing cracks and always wanting to fix them. While Helen and Michael leave on a vacation to Pisa, Italy, Carol chooses largely to lock herself in the apartment, ditching work. There, she is almost hypnotized by her solitude, which leads to her mental state deteriorating as those obsessions come to the fore. She quickly descends into madness, which ultimately also affects those that are trying to get in touch with her.

Why watch

"Repulsion" is a haunting exploration of a woman's descent into madness, where the claustrophobic confines of her London apartment become a prison of her own psyche. With its stark visuals and unsettling atmosphere, Polanski crafts a psychological horror that lingers long after the credits roll.

Cultural context
1960s London alienationfeminist readings of horrorimmigrant experience in urban settingspsychological exploration of femininity

Where this shelves

every shelf · back to the store