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Jia Zhangke

10 titles · global slow cinema

China's transformation filmed from the provinces while it happens. Jia's people are demolition workers, dancers, migrants — left behind by a boom narrated elsewhere. Buildings come down mid-shot. The melancholy is documentary in origin, not stylistic.

Signature

  • Real demolition and construction as location and as clock.
  • Pop songs and state broadcasts marking the year precisely.
  • Long takes, wide frames, characters small against infrastructure.
  • Occasional unannounced surrealism — a UFO, a building taking off.

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