
Céline Sciamma
5 titles · european arthouse
Girlhood observed without an adult's judgement. Sciamma films young people working out who they are through looking — at each other, at themselves — and gives that looking the weight other directors reserve for plot. Desire is present and unhurried; the camera declines to explain.
Signature
- The gaze as the central event: reciprocal, never voyeuristic.
- Adolescence treated as a serious subject rather than a phase to be survived.
- Sparse or absent score, so glances carry the scene.
- Adults largely offscreen; the peer group is the whole world.


Tomboy

Water Lilies

Petite Maman

Girlhood
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