Hirokazu Kore-eda
32 titles · japanese contemporary
Families assembled rather than inherited, observed without verdict. Kore-eda returns to the question of what actually makes a parent — blood, time, or the willingness to stay — and answers it differently each time. Children are directed to behave like children, and the camera waits.
Signature
- Domestic routine — meals, baths, laundry — carrying the emotional load.
- Children performing naturally, often working from spoken rather than written direction.
- Ellipses over confrontation; the crisis happens between scenes.
- Moral judgement deferred to the viewer, including on people who do real harm.
fit

Shoplifters

Monster

Like Father, Like Son

Nobody Knows

Our Little Sister

Broker

Still Walking

After the Storm

The Third Murder

After Life

Air Doll

The Truth

Maborosi

I Wish

Hana

Distance

August Without Him

Without Memory

Ishibumi

However...

Lessons from a Calf

So I Can Be Alright: Cocco's Endless Journey

I Wish I Could Be Japanese

When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang

Kaidan Horror Classics

The Center Lane

Birthplace

Dead Son

Kaettekita! Deka Matsuri

Last Scene

The Message from Fukushima

Where Has All the Pollution Gone?
However...
Lessons from a Calf
Where Has All the Pollution Gone?
I Wish I Could Be Japanese
When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang
August Without Him
Maborosi
Without Memory
After Life
Distance
Birthplace
Kaettekita! Deka Matsuri
Nobody Knows
Hana
Still Walking
So I Can Be Alright: Cocco's Endless Journey
Air Doll
Kaidan Horror Classics
Dead Son
I Wish
The Message from Fukushima
Like Father, Like Son
Our Little Sister
After the Storm
Ishibumi
The Third Murder
Shoplifters
The Truth
The Center Lane
Broker
Monster
Last Scene