The explosion of South Korean cinema following the 1998 relaxation of censorship and government support for the film industry. Park Chan-wook's operatic revenge thrillers, Bong Joon-ho's genre-bending social satires, Lee Chang-dong's humanist dramas, and Kim Ki-duk's confrontational provocations represent an extraordinarily diverse movement united by formal ambition, willingness to combine genres, and an unflinching engagement with South Korean society's stratifications and contradictions. Parasite's 2020 Best Picture win marked the moment the global mainstream caught up.
Distinguish from
Japanese New Wave is an earlier East Asian new wave (1960s) with a more politically radical, formally experimental orientation. The Korean New Wave is more genre-engaged and commercially viable while maintaining artistic ambition.